N’avez-vous jamais rêvé de tout laisser derrière vous? Avril 4 – 10, 21:30Cinéma du Parcwww.cinemaduparc.comArtesian Films présente http://ca.youtube.com/watch?v=B-SRQwNDb-o site web:
« L’ART D’ÊTRE LIBRE: portraits d’artistes en mouvement »TRAVELLING LIGHT: artists on the move
un documentaire de Tamás Wormser
avec Lundo Chango, Nathalie Daoust, Jimmy Fachetty, Cristina Hagmann et László Kuli
Filmé dans 11 pays, TRAVELLING LIGHT explore les liens fascinants que tissent création et voyage.
Le réalisateur Tamás Wormser accompagne cinq artistes nomades qui conçoivent leur vie comme une forme d’art à réinventer. En bourlinguant autour du monde, les personnages jettent un regard stimulant sur notre société contemporaine.
Bande-annonce:
Archive for March, 2008
L’ART D’ÊTRE LIBRE
Monday, March 31st, 2008Traveling Light – a documentary in theatres
Monday, March 31st, 2008have you ever dreamt of leaving it all behind?
APRIL 4 – 10, 9:30 PM Cinéma du Parc Artesian Films presents TRAVELLING LIGHT: artists on the move a road-doc by Tamás Wormser
featuring Lundo Chango, Nathalie Daoust, Jimmy Fachetty, Cristina Hagmann and László Kuli
TRAVELLING LIGHT follows five nomadic artists on their quest to live life as an art-form. Filmed in 11 countries over several years, this road-documentary explores the relationship between creativity and travel. Crossing borders of all types, our roaming protagonists take on the world, providing tonic insight into contemporary life.
Trailer: http://ca.youtube.com/watch?v=B-SRQwNDb-o
Web site: www.travellinglight.info ”…Fascinating and profound, it may be the best depiction of the relationship between artists and their creation that I have ever seen.” – Kevin McMahon, filmmaker, Toronto “Using the camera like a paintbrush caressing the canvas of life, Tamás Wormser’s film celebrates man’s ability to be creative and keep searching for beauty…” – Paul Cox, filmmaker, Melbourne please forward this email to your friends. documentaries don’t last long on the screen without your support. THANKS!
DOC Responds to bill C-10
Monday, March 31st, 2008In response to Bill C-10, DOC sent letters of protest to Prime Minister Stephan Harper and Heritage Minister Josee Verner. Here is the letter:March 4, 2008
Dear Mr. Harper and Ms. Verner
The Documentary Organization of Canada (DOC) represents more than 700 documentary
independent producers who create hundreds of hours of programming every year and
employ thousands of Canadian craftspeople. We are a vital part of the supply chain to
broadcasters that help to present Canadian stories to Canadian audiences and amount to
more than one-third of the independent production industry in Canada.
DOC is categorically opposed to language in Bill C-10 that would lead to the creation of
a new content review panel to determine eligibility for Canadian Film and Television
Production tax credits, the “public interest” aspects to this bill, and specifically in regard
to the creation of developing guidelines. This additional layer of intervention is not
consistent with democratic principals and frighteningly sets a landscape for potential
political abuse.
With this letter, DOC wishes to express its strong sentiment that it immediately rescind
any provisions of Bill C-10 that could allow the government to censor film and video
production in Canada. Further, DOC wishes to express its concern that the government
have in place objective and transparent guidelines that respect freedom of expression
when delivering any programmes intended to support documentary production in Canada.
Moral judgment is not a business our democratic government should be involved in. The
potential for bias to enter into decision-making will seriously harm the production of
diverse and thought-provoking programming. It will also irrevocably harm many other
aspects of the business.
The tax credit system was instituted to encourage the growth of the Canadian Production
industry and employ film and television craftspeople in both domestic and “foreign
service” productions in Canada. A jury system will certainly drive away foreign
investment – no other jurisdiction in the world offering tax incentives to Hollywood and
foreign production companies has such a “morals jury system” in place – such an
impediment would bring our “hundreds of millions” of dollars service production
industry to a halt. And to exempt Hollywood films shot on Canadian soil from a moral
review panel while hobbling home grown productions would contradict the reasoning of
this new proposed scheme.
Our system already provides a number of carefully considered standards and procedures
monitored by existing Government agencies. These safeguards — that have been
developed over many years – are measures that ensure pornography, hate propaganda,
excessive violence, etc. are not financed or broadcast. Every contract signed by every
Canadian filmmaker receiving government funding already has such provisions.
Aside from the political and social ramifications of the proposed bill, this proposal would
throw the Canadian production industry into severe financial uncertainty. Most Canadian
projects rely on bank loans to free up the cash flow necessary to pay expenses during
production. The loans are repaid upon receipt of tax credits. What bank would grant a
loan in an atmosphere where a producer may or may not be approved for Canadian Tax
Credits? In addition, the cessation of these business loans would surely lead to a loss of
income for many Canadian financial institutions.
Canadian productions – especially documentaries – are revered around the world. But
under the proposed scheme, would Emmy Award Winning Peter Raymont’s “Shake
Hands with the Devil” be denied because it deals with a subject containing excessive
violence? Would an award-winning film like “The Corporation” be denied a tax credit
because it is critical of corporations who may have donated generously to certain political
parties? Would the recent box office hit “Up The Yangtze” be rejected because it might
offend the government of China?
From a practical perspective, CAVCO certification is already a lengthy process,
sometimes taking months. In any given year, approx 3000–4000 hours of CAVCO
certified productions are made. To see all 4000 hours, a panelist would have to watch
more than 11 hours of programming a day, every single day of the year. This would cause
a further delay in the certification of productions, which risks to further hamper Canadian
production.
There can be no compromise on this. All language pertaining to this ill-conceived and
ill-advised scheme must be removed completely from Bill C-10.
Sincerely,
Michael McNamara
National Chair – Documentary Organization of Canada
CC: Mauril Bélanger, MP, Ottawa-Vanier
Bill Siksay, MP, Burnaby-Douglas
Maria Mourani, MP, Ahuntsic
Irene Mathyssen, MP, London-Fanshaw
Senator Jerry Grafstein
Senator David Angus
Charlie Angus, MP, Timmins-James Bay
Appels de dossiers : Exploration HD – Exploration Surround – Aide à la création 50%
Sunday, March 9th, 2008APPELS DE DOSSIERS PRIM ajoute deux programmes de soutien à la créationExploration HD & Exploration Surround +2ème appel pour Aide à la création 50%Date de tombée le 7 avril 2008PRIM vous propose cette année deux nouveaux programmes de soutien à la création afin de permettre aux artistes de se familiariser avec les nouvelles technologies :Exploration HD : un rabais de 75%, applicable sur nos équipements haute définition, sera accordé à un artiste pour la réalisation d’une œuvre (tous genres) de 30min maximum.Exploration Surround : un rabais de 75%, applicable sur le temps d’utilisation du studio de son (100 heures maximum), sera accordé à un artiste afin d’apprivoiser la technologie du son surround.Quant au programme Aide à la création 50%, nous vous rappelons qu’il offre à ses bénéficiaires un rabais de 50% sur les locations d’équipements, salles de montage AVID (excepté Média Composer), studio de son et transferts.Tous les projets de productions indépendantes d’artiste en audio, vidéo et nouveaux médias sont admissibles.Pour plus d’informations sur ces programmes de soutien, lire le communiqué
Oscar-winning Juno not Canadian enough for Canada’s Oscars
Sunday, March 9th, 2008
BY EZRA WINTONIn an earlier post I had written about the new Canadian doc Up the Yangtze and the film’s potential for overcoming the nationalist/neoliberal debate in the Canadian culturesphere. Well that film was entirely shot in China about a Chinese family, and made mostly by Canucks. That makes it Canadian enough for the bureaucratic culture-meters north of Hollywood. Now take Juno, a film nominated for several Oscars (with one win) and winning accolades wherever it is screened. The film was shot in Canada, stars Canadian talent and was made by a Canadian director. With the upcoming Genie awards (Canada’s answer to the Oscars) the film was seen to be a sweeper. Think again. (more…)
DOCVILLE: NOUS AVONS BU LA MÊME EA
Sunday, March 9th, 2008PREMIÈRE PROJECTION DE LA SÉRIE 2008 : jeudi le 13 marsNOUS AVONS BU LA MÊME EAUEn présence du réalisateur Serge Avédikian (France)2007/ 72min / v.o. : français, arménien, turc / s.-t.f.
Jeudi 13 mars à 18h45Cinéma du Parc, 3575 avenue du ParcLe film sera suivi d’une discussion organisée par l’UGAB (Union générale arménienne de bienfaisance)« Entre mémoire, négation et oubli : comment construire un dialogue? »Coût : 10$ régulier, 7$ étudiant et âge d’orBilletterie : www.cinemaduparc.com / (514) 281-1900Pour plus d’information sur DOCVILLE et les RIDM : www.ridm.qc.ca