Archive for March, 2008

L’ART D’ÊTRE LIBRE

Monday, March 31st, 2008

N’avez-vous jamais rêvé de tout laisser derrière vous?

Avril 4 – 10, 21:30Cinéma du Parcwww.cinemaduparc.comArtesian Films présente
« L’ART D’ÊTRE LIBRE:  portraits d’artistes en mouvement »TRAVELLING LIGHT: artists on the move  
un documentaire de Tamás Wormser  

avec Lundo Chango, Nathalie Daoust, Jimmy Fachetty, Cristina Hagmann et László Kuli  

Filmé dans 11 pays, TRAVELLING LIGHT explore les liens fascinants que tissent création et voyage.  
Le réalisateur Tamás Wormser accompagne cinq artistes nomades qui conçoivent leur vie comme une forme d’art à réinventer.  En bourlinguant autour du monde, les personnages jettent un regard stimulant sur notre société contemporaine.
 
 Bande-annonce:   

http://ca.youtube.com/watch?v=B-SRQwNDb-o

 site web:    

www.travellinglight.info

Traveling Light – a documentary in theatres

Monday, March 31st, 2008

have you ever dreamt of leaving it all behind? 

APRIL 4 – 10, 9:30 PM

Cinéma du Parc

www.cinemaduparc.com

Artesian Films presents

TRAVELLING LIGHT: artists on the move

a road-doc by Tamás Wormser

 

featuring Lundo Chango, Nathalie Daoust, Jimmy Fachetty, Cristina Hagmann and László Kuli

 

TRAVELLING LIGHT  follows five nomadic artists on their quest to live life as an art-form.

Filmed in 11 countries over several years, this road-documentary explores the relationship

between creativity and travel.  Crossing borders of all types, our roaming protagonists

take on the world, providing tonic insight into contemporary life.

 

Trailer:  http://ca.youtube.com/watch?v=B-SRQwNDb-o

 

Web site:   www.travellinglight.info  

 ”…Fascinating and profound, it may be the best depiction of the relationship between artists and their creation that I have ever seen.” – Kevin McMahon, filmmaker, Toronto

 

“Using the camera like a paintbrush caressing the canvas of life, Tamás Wormser’s film celebrates man’s ability to be creative and keep searching for beauty…” – Paul Cox, filmmaker, Melbourne

please forward this email to your friends. documentaries don’t last long on the screen without your support.  THANKS!

DOC Responds to bill C-10

Monday, March 31st, 2008

In response to Bill C-10, DOC sent letters of protest to Prime Minister Stephan Harper and Heritage Minister Josee Verner.  Here is the letter:March 4, 2008 

Dear Mr. Harper and Ms. Verner  

 

The Documentary Organization of Canada (DOC) represents more than 700 documentary 

independent producers who create hundreds of hours of programming every year and 

employ thousands of Canadian craftspeople. We are a vital part of the supply chain to 

broadcasters that help to present Canadian stories to Canadian audiences and amount to 

more than one-third of the independent production industry in Canada.  

 

DOC is categorically opposed to language in Bill C-10 that would lead to the creation of 

a new content review panel to determine eligibility for Canadian Film and Television 

Production tax credits, the “public interest” aspects to this bill, and specifically in regard 

to the creation of developing guidelines. This additional layer of intervention is not 

consistent with democratic principals and frighteningly sets a landscape for potential 

political abuse. 

 

With this letter, DOC wishes to express its strong sentiment that it immediately rescind 

any provisions of Bill C-10 that could allow the government to censor film and video 

production in Canada. Further, DOC wishes to express its concern that the government 

have in place objective and transparent guidelines that respect freedom of expression 

when delivering any programmes intended to support documentary production in Canada. 

 

Moral judgment is not a business our democratic government should be involved in.  The 

potential for bias to enter into decision-making will seriously harm the production of 

diverse and thought-provoking programming. It will also irrevocably harm many other 

aspects of the business.   

 

The tax credit system was instituted to encourage the growth of the Canadian Production 

industry and employ film and television craftspeople in both domestic and “foreign 

service” productions in Canada. A jury system will certainly drive away foreign 

investment – no other jurisdiction in the world offering tax incentives to Hollywood and 

foreign production companies has such a “morals jury system” in place – such an 

impediment would bring our “hundreds of millions” of dollars service production 

industry to a halt.   And to exempt Hollywood films shot on Canadian soil from a moral 

review panel while hobbling home grown productions would contradict the reasoning of 

this new proposed scheme.    

 

Our system already provides a number of carefully considered standards and procedures 

monitored by existing Government agencies. These safeguards — that have been 

developed over many years – are measures that ensure pornography, hate propaganda, 

excessive violence, etc. are not financed or broadcast. Every contract signed by every 

Canadian filmmaker receiving government funding already has such provisions.  

 

Aside from the political and social ramifications of the proposed bill, this proposal would 

throw the Canadian production industry into severe financial uncertainty.  Most Canadian 

projects rely on bank loans to free up the cash flow necessary to pay expenses during 

production.  The loans are repaid upon receipt of tax credits.  What bank would grant a 

loan in an atmosphere where a producer may or may not be approved for Canadian Tax 

Credits?  In addition, the cessation of these business loans would surely lead to a loss of 

income for many Canadian financial institutions. 

 

Canadian productions – especially documentaries – are revered around the world.    But 

under the proposed scheme, would Emmy Award Winning Peter Raymont’s “Shake 

Hands with the Devil” be denied because it deals with a subject containing excessive 

violence? Would an award-winning film like “The Corporation” be denied a tax credit 

because it is critical of corporations who may have donated generously to certain political 

parties?  Would the recent box office hit  “Up The Yangtze” be rejected because it might 

offend the government of China?

 

From a practical perspective, CAVCO certification is already a lengthy process, 

sometimes taking months.  In any given year, approx 3000–4000 hours of CAVCO 

certified productions are made. To see all 4000 hours, a panelist would have to watch 

more than 11 hours of programming a day, every single day of the year. This would cause 

a further delay in the certification of productions, which risks to further hamper Canadian 

production. 

 

There can be no compromise on this.  All language pertaining to this ill-conceived and 

ill-advised scheme must be removed completely from Bill C-10. 

 

Sincerely, 

 

Michael McNamara 

National Chair – Documentary Organization of Canada 

 

CC:  Mauril Bélanger, MP, Ottawa-Vanier 

 Bill Siksay, MP, Burnaby-Douglas 

 Maria Mourani, MP, Ahuntsic  

 Irene Mathyssen, MP, London-Fanshaw 

 Senator Jerry Grafstein 

 Senator David Angus 

 Charlie Angus, MP, Timmins-James Bay 

 

Appels de dossiers : Exploration HD – Exploration Surround – Aide à la création 50%

Sunday, March 9th, 2008

 

APPELS DE DOSSIERS PRIM ajoute deux programmes de soutien à la créationExploration HD & Exploration Surround +2ème appel pour Aide à la création 50%Date de tombée le 7 avril 2008PRIM vous propose cette année deux nouveaux programmes de soutien à la création afin de permettre aux artistes de se familiariser avec les nouvelles technologies :Exploration HD : un rabais de 75%, applicable sur nos équipements haute définition, sera accordé à un artiste pour la réalisation d’une œuvre (tous genres) de 30min maximum.Exploration Surround : un rabais de 75%, applicable sur le temps d’utilisation du studio de son (100 heures maximum), sera accordé à un artiste afin d’apprivoiser la technologie du son surround.Quant au programme Aide à la création 50%, nous vous rappelons qu’il offre à ses bénéficiaires un rabais de 50% sur les locations d’équipements, salles de montage AVID (excepté Média Composer), studio de son et transferts.Tous les projets de productions indépendantes d’artiste en audio, vidéo et nouveaux médias sont admissibles.Pour plus d’informations sur ces programmes de soutien, lire le communiqué . 

Oscar-winning Juno not Canadian enough for Canada’s Oscars

Sunday, March 9th, 2008

BY EZRA WINTONIn an earlier post I had written about the new Canadian doc Up the Yangtze and the film’s potential for overcoming the nationalist/neoliberal debate in the Canadian culturesphere. Well that film was entirely shot in China about a Chinese family, and made mostly by Canucks. That makes it Canadian enough for the bureaucratic culture-meters north of Hollywood. Now take Juno, a film nominated for several Oscars (with one win) and winning accolades wherever it is screened. The film was shot in Canada, stars Canadian talent and was made by a Canadian director. With the upcoming Genie awards (Canada’s answer to the Oscars) the film was seen to be a sweeper. Think again. (more…)

DOCVILLE: NOUS AVONS BU LA MÊME EA

Sunday, March 9th, 2008

PREMIÈRE PROJECTION DE LA SÉRIE 2008 :  jeudi le 13 marsNOUS AVONS BU LA MÊME EAUEn présence du réalisateur Serge Avédikian (France)2007/ 72min / v.o. : français, arménien, turc / s.-t.f.  Jeudi 13 mars à 18h45Cinéma du Parc, 3575 avenue du ParcLe film sera suivi d’une discussion organisée par l’UGAB (Union générale arménienne de bienfaisance)« Entre mémoire, négation et oubli : comment construire un dialogue? »Coût : 10$ régulier, 7$ étudiant et âge d’orBilletterie : www.cinemaduparc.com / (514) 281-1900Pour plus d’information sur DOCVILLE et les RIDM : www.ridm.qc.ca