Archive for the ‘English’ Category

FREE DOC Marketplace session Wednesday, December 2nd at 6:30 via audiostream.

Monday, November 30th, 2009

Don’t miss your chance to hear  from the Broadcasters and Funders directly on what they are looking for, how much they will pay, and what the process is for proposals.

Confirmed panelists for this event include:

  • BRUCE COWLEY, Creative Head: Digital Channels (Documentary Channel), CBC Network Programming.
  • CHARLOTTE ENGEL, Production Executive, Documentaries & Alternative Programming, CTV / Manager, Documentary Independent Production, Bravo.
  • JANE JANKOVIC, Commissioning Editor/Producer: TVO.
  • JUSTIN REBELO, Director of Canadian Programming: Super Channel.
  • ANN-MARIE REDMOND, Executive Producer, Programming: Discovery Channel.

FREE for DOC Members. $15 for Non-Members.

Registration required. Please register Here

FREE DOC Marketplace session tonight at 6:30 via audiostream.

Wednesday, November 25th, 2009

Don’t miss your chance to hear  from the Broadcasters and Funders directly on what they are looking for, how much they will pay, and what the process is for proposals.

Confirmed panelists for this event include:

  • Silva Basmajian, Executive Producer: NFB
  • Sarah Jane Flynn, Director, Factual Content: Canwest Broadcasting
  • Andrea Harrick, Program Manager, High Fidelity HDTV
  • Jackie Samuels, Development and Production: CITY TV, OLN

FREE for DOC Members. $15 for Non-Members.

Registration required. Please register HERE.

7 @ 9 DOC Québec – SIFTING THROUGH THE ARCHIVES!

Tuesday, October 20th, 2009

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DOC Québec is glad to announce a new partnership with the NFB! From now on, DOC Québec’s monthly events will take place at the NFB CinéRobothèque. As always, workshops, meeting the broadcasters, master classes and others will be an opportunity to meet and network in a friendly atmosphere.

OCTOBER 22 at 7 PM
SIFTING THROUGH THE ARCHIVES!

In the presence of Luc Bourdon, maker of The Memories of Angels, Caroline Martel, director of The Phantom of the Operator, and Sylvia Mezei, Agent of Rights, Research and Clearance, NFB.

Screening of film clips and discussion of the artistic dimension of working with archival material. Topics will include research, selection, re-appropriation and misuse of material, and the notion that “The whole is greater than the sum of its parts” (Eisenstein). Also on the agenda: researching and negotiating rights for excerpts from documentaries, works of fiction, unseen footage, etc.

$12 non-members / $8 members of DOC + ARRQ (card wanted)
* Your admission fee helps DOC Québec to pursue its action.

This event is also an occasion to encourage DOC Québec’ actions, an association entirely dedicated to defend and promote documentary filmmaking. More than ever, we need your support!
Suggested booking: info@docquebec.ca
www.docquebec.ca | www.docorg.ca

514-496-6887
CinéRobothèque ONF
1564, rue Saint.Denis à Montréal (Métro Berri-UQAM)

Politique : consultations sur le FMC / CMF focus groups

Friday, October 16th, 2009

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Des groupes de consultation sont organisés à travers le pays afin de discuter des principaux enjeux liés aux politiques qui guideront l’élaboration des politiques et des programmes du Fonds des médias du Canada (FMC).

L’objectif de ces groupes de consultation est de recueillir les commentaires et l’expertise des intervenants de l’industrie, tels que vous-même. Les discussions des groupes de consultation seront axées sur les principaux enjeux relatifs aux politiques énoncés durant le forum virtuel du 6 août 2009.

Si vous souhaitez participer à un groupe de consultation, il est encore temps de vous inscrire !

Veuillez remplir le formulaire disponible en ligne au :
http://www.surveymonkey.com/s.aspx?sm=OW_2baW7TiutbR_2f_2fciviT1PQ_3d_3d

DOC Québec tiendra une réunion d’information pour ses membres en prévision de ces Consultations régionales du Fonds des Médias du Canada (FMC)
Lundi 19 octobre à 19 h à la Guilde Canadienne des réalisateurs
4200, Boulevard Saint-Laurent, Bureau 708

Venez connaître la position de DOC sur la question ! Comment se sont déroulées les consultations dans les autres provinces, ce qu’il faut savoir et éviter pour être préparé au mieux.

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Focus Groups are being held across the country to discuss the key policy issues that will inform the policies and programs of the Canada Media Fund (CMF).

The purpose of these Focus Groups is to obtain the input and expertise of industry stakeholders, such as yourself. Discussions at the Focus Group will centre on the key policy issues that were outlined during a virtual town hall on August 6, 2009.

If you are interested in participating in a Focus Group session, please complete this form
http://www.surveymonkey.com/s.aspx?sm=OW_2baW7TiutbR_2f_2fciviT1PQ_3d_3d

DOC Québec will hold an information meeting for its members about the Focus group on the Canada Media Fund (CMF)
Monday, October 19th at 7 pm at the Director’s Guild of Canada (DGC)
4200, Boulevard Saint-Laurent, Suite 708

Come and know more about DOC’s position on this issue! How were the Focus groups in other provinces, what you should know and what you should avoid to be well prepared.

Informations : Roger Bourdeau
info@docquebec.ca

The 2880 Film Blitz, Montreal’s perennial 48-hour filmmaking contest, blows out 7 candles from May 29 to 31!

Thursday, May 21st, 2009

Montreal’s premier 48-hour filmmaking contest, the 2880 Film Blitz, is back for its 7th annual showcase of our city’s biggest and brightest cinematic wild childs! From May 29 to 31, 12 teams will take part in a feverish race against the clock to write, shoot and edit a 5-minute short film in under 2880 minutes.

The event caps off with a gala screening on Sunday, May 31st at Club Soda (1225 Saint-Laurent), where jury and audience prizes will be awarded to the finest films. The 2009 jury is comprised of Brett Gaylor (Director, RIP: Remix Manifesto), Danny Lennon (Programmer, Prends Ça Court!), Marie-Anne Raulet (Executive Director, RIDM) and Natalia Wysocka (Film Editor, ICI / Famous Québec).
2880 Film Blitz’s Producers have chosen documentary and its offbeat cousin the mockumentary as the genres of choice for this special Doc or Mock? edition of the contest, as all shorts produced must fit into one of the aforementioned genres. The Blitz is always made all the more nerve-racking for contestants thanks to a secret theme and object that they must incorporate into their films…and which are only revealed once the countdown begins at 7 p.m. on May 29!

2880 Film Blitz – Doc or Mock? Edition
Sunday, May 31 – 7:00 PM
Club Soda (1225 Saint-Laurent)
$10 in advance at ticketpro.ca, $12 at the door

The 2880 Film Blitz is the flagship fundraising event for DOC Québec.

The Doc or Mock? edition makes all the more sense given that since this year, DOC Québec is responsible for selecting the short list of contenders for the Jutra Awards’ annual Best Documentary Prize. Proceeds from the 2880 Film Blitz will help DOC Québec to continue to offer valuable services and events to the filmmaking community in Québec.
The Blitz’s official rules and registration forms, complete list of prizes and sponsors, as well as the winning films from previous editions, are available at www.2880.ca

CONTACT: Michael-Oliver Harding, Media Relations
(514) 802-2055 / oliver@loadedpictures.ca

Roger Bourdeau, Executive Director
(514) 464-2106 / info@2880.ca
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Save Canadian Documentaries

Thursday, May 21st, 2009

The Government has announced that it will abolish the Canadian Television Fund (CTF) and the Canadian New Media Fund (CNMF) and replace them with the Canada Media Fund (CMF), which will be controlled by the Canadian cable industry.

Think this doesn’t effect you? Think again.

Independent Canadian documentaries will be particularly affected by the new fund.

Please take the time to read and sign this petition to the Minister of Canadian Heritage.

We the undersigned call on the Hon. James Moore, Minister of Canadian Heritage, to ensure the continued success of Canada’s independent documentary production industry by committing to the following:

1. Continued and sustained levels of funding for documentaries at the Canada Media Fund
2. Sustained funding for independent Canadian production at the Canada Media Fund, which will increase as the fund grows.
3. Full independence of the Board of the Canada Media Fund, by ensuring that directors are not appointed by beneficiaries of the Fund.

We believe these steps are necessary if the independent documentary industry in Canada is to survive and thrive. We thank you for taking the time to read this letter,

To sign the petition online click here

Documentary at the NFB: The world changes, production goes on

Tuesday, March 31st, 2009

INVITATION

Monday, April 6, 2009 – 7pm

Maison de la Réalisation (ARRQ) – 3480, rue Saint-Denis – Métro Sherbrooke

For DOC-Québec and ARRQ members: $8.00 For non-members : $15.00

* Your admission fee helps DOC Québec to pursue its action.

Suggested reservation: info@docquebec.ca

DOC Québec invites you to meet the new leaders of the National Film Board’s French Program.
Monique Simard, head of the French Program, together with Colette Loumède and Marie-Dominique Bonmariage will explain everything you want to know about changes since her arrival at the NFB.

Since 70 years, NFB produces quality documentaries, often in partnership with independent producers. In a context where documentary filmmakers face new challenges due to fast technological evolution, in production as much as in distribution, it is important to understand where the NFB stands, it’s priorities and how it will contribute to the continued development of documentary filmmaking.

The discussion will be followed by a question and answer period and an informal meet and greet.

A DOC Québec member, Monique Simard became head of the NFB French Program in late 2008. From 1998 to 2008, she was head and producer at Les Productions Virage where she produced more than 30 documentaries directed both by known and emerging directors. Very much involved in the cinema world, she was member of many boards of directors and was amongst the founding members of Les Rencontres internationales du documentaire de Montréal and of L’Observatoire du documentaire.

Marie-Dominique Bonmariage, Assistant Director Programming and Digital Strategies, has spent more than 20 years in cinema and media arts. Most recently she was responsible for promotion and broadcasting at SODEC. She was also head of Vidéographe where she implemented the digitizing of the their collection. From 1996 to 2004, she was the administrative director of the Festival du Nouveau Cinéma and of the Cinéma Parallèle.

Colette Loumède, Head Producer, has spent more than 20 years producing films, in particular at the Coop Vidéo in Montréal, Productions du Regard and Synercom Téléproductions. She joined SODEC as analyst and was responsible for selecting documentary and feature projects. From 2002 to 2007 she was executive producer at the documentary Studio A of the NFB French Program. In January 2007, she became head of the documentary program at INIS, before coming back to the NFB.

Information: info@docquebec.ca

RIP: A REMIX MANIFESTO OPENING ON MARCH 6 AT THE AMC AND CINEMA DU PARC

Friday, March 6th, 2009

THE AWARD-WINNING DOC FROM THE FRONT LINES OF THE COPYLEFT REVOLUTION

“RiP expands the language of genre and pushes the envelope of creativity. Thought-provoking, passionate, and of contemporary relevance to everyone who consumes media.” – Mark Achbar, director of The Corporation.

“…a knockout. RiP is a dazzling frontal assault on how corporate culture is using copyright law to muzzle freedom of expression.”– Brian D. Johnson, Maclean’s Magazine

Kinosmith, EyeSteelFilm and the National Film Board of Canada are pleased to announce that RiP: A REMIX MANIFESTO will open this Friday March 6 at AMC Forum in English and at Cinéma du Parc with French subtitles. This EyeSteelFilm/NFB award-winning documentary is a pioneering film that explores the cultural war between the CopyLeft – the remix generation who are no longer asking permission to borrow from the CopyRight – the entertainment giants who dominated the 20th century by concentrating power through ever broadening copyright laws.

Directed by Vancouver native, now Montreal based filmmaker and Web activist Brett Gaylor, and produced by the same team as the theatrical smash-hit Up the Yangtze (EyeSteelFilm/NFB), RiP has received the Audience Choice Award at the International Documentary Film Festival Amsterdam, the Special Jury Prize at the Festival du Nouveau Cinéma, and both the Audience Choice and Special Jury Prize at the Whistler Film Festival.

Synopsis

With the advent of digital technology, copyright has become the defining cultural issue of our time. This film follows Girl Talk, a bio-medical engineer turned sample-based pop star who exploded to infamy and hipster adoration in 2008 by creating irresistible mash-up anthems combining hundreds of top-40 favourites. His music has made the the best album lists of Rolling Stone, Blender, WIRED, The Village Voice, PitchFork and The New York Times. RiP challenges copyright law in solidarity with Creative Commons founder Lawrence Lessig, culture critic Cory Doctorow (BoingBoing.net) and Brazilian music legend Gilberto Gil. The film cinematically presents how the 20th century’s cultural icons, from Walt Disney to The Rolling Stones, built empires off the creations of others, while at the same time sending lawyers after anyone who dared to remix their “property.” By incorporating contributions from thousands of Web users, RiP is part of a movement to rebuild the public domain and re-think intellectual property.

AMC FORUM: Original English version, audio Dolby 5.1
CINÉMA DU PARC: Original English version with French subtitles, audio Dolby 5.1

RIP: A REMIX MANIFESTO, an EyeSteelFilm and National Film Board co-production, is presented by Documentary, and produced in association with Canal D, SODEC, the Rogers Documentary Fund, and the Conseil des Arts et des Lettres du Quebec. The documentary is written and directed by Brett Gaylor, produced by Mila Aung-Thwin (ESF), Kat Baulu (NFB), Germaine Ying Gee Wong (NFB) and executive produced by Daniel Cross, Mila Aung-Thwin, Ravida Din (NFB) and Sally Bochner (NFB).

For more information: www.nfb.ca/rip and www.opensourcecinema.org

 

DOC Québec and Cinema Politica screening of Under Rich Earth by Malcom Rogge.

Thursday, February 12th, 2009

Join DOC Québec at Cinema Politica’s screening of Under Rich Earth by DOC member Malcom Rogge.           

Monday February 23, 2009. Screening begins 19h30. Concordia University (Montreal). Room H-110, 1455 de Maisonneuve West.

Under Rich Earth: Ecuadoran farmers fight off violent attacks from militia men as they battle a Canadian mining company.

under rich earth

Watch trailer here: http://www.cinemapolitica.org/node/512

Malcolm Rogge / Canada / 2008 / 92 min

In the opening moments of Malcolm Rogge’s unsettling and eye-opening Under Rich Earth, a group of small children point to some gun shells lying in the dirt at the edge of a rural road in Ecuador. Who put the shells there and why are matters of great contention and conflict. The former owners of the casings maintain that the incident resulting in their new roadside location never actually happened. But in the eyes of the people at whom the bullets were fired, the 2006 event is very real, representing the latest escalation of a decade-old fight over land, resources and environmental autonomy.

In the mid-nineties, a Japanese mining company secured the rights to extract copper in the northwest part of Ecuador known as Intag, one of the world’s most environmentally threatened regions. Residents staged massive protests against the project, which ended in the burning of a mining camp and the departure of the company. But in 2002, despite an ordinance banning mining in the area, the Ministry of Energy and Mines sold the area’s two mining concessions, which ended up in the hands of the Canadian company Ascendant Copper. More protests followed, and tensions were exacerbated by the hiring of outside companies that used intimidation to control the area. The conflict eventually peaked in the vicious confrontation that left those shells by the roadside.

Using revealing and startling footage, Rogge reconstructs what happened that day in 2006, and links the violent images to global economics. A display of front-line journalism at its best, the footage leaves little doubt of what actually occurred, yet the interpretations by the different parties, particularly those from the company that hired the shooters, provide a fascinating glimpse into corporate spin and the politics of globalization. An indictment of governmental largesse, environmental exploitation and corporate greed, Under Rich Earth is urgent and vital filmmaking in the spirit of past Festival favourites like Kanehsatake: 270 Years of Resistance and Manufactured Landscapes. Emotionally gripping and politically motivating, Under Rich Earth exposes the truth – not just about what happened that singular day, but also about just how pervasive such stories are on our planet today.[from the TIFF website]

More info: www.cinemapolitica.org

SODEC no longer a mystery

Thursday, January 29th, 2009

Doc Québec’s latest event was a great success! Over 50 people were there to meet with Alain C. Rondeau, Délégué à l’accueil des projets and Jeunes Créateurs at SODEC. A fun evening with plenty of information about the different programs offered at SODEC and how to apply to them.
A useful handout presented during the evening featuring Frequently Asked Questions about SODEC, is now available at the DOC Québec site at:

http://www.docquebec.ca/questions-et-reponses-sur-la-sodec/ 

If you would like to be in our mailing list and get more information about our future events, or recieve our monthly newsletter, please contact Roger Bourdeau at info@docquebec.ca